Lindoro, L'Italiana in Algeri
Opéra Orchestre National Montpellier
September 2017

"Marking the days since his crash on the inside wall of the engine in which he has taken refuge, Lindoro has the voice of Alasdair Kent, voluptuous and sweet in the middle and the mixed high notes, elevated and lightened right to the border of head voice... Breath, the embodiment of the character, musicality, these are not lacking to him."

"..he deploys an instrument of great clarity, and of beautiful projection."
Opera Online

Belfiore, Il viaggio a Reims
Rossini Opera Festival
Aug 2017

"As the self-obsessed Cavaliere Belfiore, Alasdair Kent makes you sit up and take notice. His theatrical performance ensnared.. his starry tenor scored points, with enormous shine in the high register, so that one can easily understand why Corinna feels rather attracted to the violently flirting Cavaliere Belfiore than to the always melancholy Lord Sidney. The great duet between Tassinari and Kent was a musical highlight of the performance."
Online Musik Magazin

"Alasdair Kent proved a very positive impression... His voice is steadfast, unwavering and sure, but at the same time extraordinarily sweet, and gave hope that the Rossini Opera Festival has found a new… well, better not to say and wait for events to unfold."
Pesaro Urbino 24

"As Belfiore, Alasdair Kent was exactly spot-on, fresh and brilliant.."
L'Ape musicale

Rossini Opera Festival
Jul 2017

"..he conquered the audience's sympathy with an intelligent approach and a captivating interpretation... An extremely sweet voice, powerful and sure, that had no difficulty... Kent reminded of Juan Diego Florez' first appearances in Pesaro, at ROF.."
Pesaro Urbino 24

Giocondo, La pietra del paragone
Wolf Trap Opera
Jun & Jul 2017

"The single standout performance comes from Alasdair Kent who.. nails his Act 2 aria Quell'alme pupille with some impressively acrobatic runs."
Washington City Paper

"Alasdair Kent sounded to the bel canto born with his evenly produced tenor, refined technique and intense expressiveness."
Opera News

"Tenor Alasdair Kent displayed serious bel canto credentials as Giocondo.. with finesse in the melismatic pyrotechnics and a lyrical legato tone up to some very high notes."
Washington Classical Review

"Alasdair Kent delivered the high tenor note of the evening as Giocondo; beautiful, thrilling, and all that you hoped it would be.."

"tenor Alasdair Kent.. offered some remarkable old-style vocal pyrotechnics.. swelling a note from gentle near-silence to full-throated trumpeting."
Washington Post

Ritornello, L'opera seria
Wolf Trap Opera
Jul 2016

"Alasdair Kent showed considerable promise as Ritornello.. there was impressive warmth in the tone, a good deal of agility in coloratura flights.."
Opera News

Don Odoardo, Don Procopio
Lost and Found Opera
Jun 2016

"The soloists were each quite remarkable...Tenor Alasdair Kent’s lyrical solo at the beginning of the second act was a moment of extraordinary beauty.."
The Australian

"the highlight came early in the form of Alasdair Kent’s wonderful Serenade.."
Limelight Magazine


"a tenore di grazia with a Ferrari shift of gears.."

“Alasdair Kent sang a perfect “Una furtiva lagrima,”.. in a haunting lyric tenor with diminuendos and swelling of tone that was pure magic.”
Brooklyn Daily Eagle

“Alasdair Kent's Count Almaviva exhibited a sweet, limber tenor and was the picture of dreamy nobility.”
Opera News